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 Chilling Effects Clearinghouse > DMCA Safe Harbor > Notices > Music Publishers don't "Want it That Way" with Online Lyrics Search Printer-friendly version

Music Publishers don't "Want it That Way" with Online Lyrics Search

September 11, 2007

 

Sender Information:
National Music Publishers' Association
Sent by: [Private]
Moses & Singer LLP
New York, NY, USA

Recipient Information:
[Private]
[Private]


Sent via:
Re: DMCA Notice: lyricsmania.com

Ladies and Gentlemen:

We are counsel to the National Music Publishers' Association ("NMPA"), a trade association of music publishers.

We have been asked by the publisher members of the NMPA to take all appropriate steps to remove copyrighted lyrics from internet websites that have not obtained permission to reproduce, distribute or display such lyrics. In that connection we conducted the following search query on Google:

Search query: Lyrics
This search query returned the following result among others: Infringing website: lyricsmania.com

A review of lyricsmania.com discloses that it reproduces, distributes and displays the lyrics of copyrighted musical compositions owned or controlled by members of the NMPA, without permission from the copyright owners. A representative listing of the copyrighted compositions, and the publishers that own or control the copyrights in those compositions is attached as Schedule A. Examples of the compositions infringed include "That's Life" written by Kelly Gordon and Dean Thompson and published by Universal Polygram International, and "I Want It That Way" written by Andreas Michael Carlsson and Martin Karl Sandberg and published by Zomba Enterprises Inc..

The unauthorized reproduction, distribution and display of the lyrics of these musical compositions is prohibited under copyright law. In fact, U.S. copyright law provides that the right to reproduce a copyrighted work, to distribute copies of a copyrighted work and to display copies of a copyrighted work belong exclusively to the copyright owner of that work. The representative works listed on Schedule A and other compositions on the lyricsmania.com website are protected by copyright. Lyricsmania.com needed but did not obtain permission from the copyright owners to reproduce, distribute and display the lyrics of these compositions on the website.

For the reasons stated above, we have a good faith belief that use of the material in the manner complained of is not authorized by the copyright owner, its agent, or the law.

Under penalty of perjury, we affirm that the above information is accurate and that we are authorized to act in this regard on behalf of music publisher members of the NMPA who own or publish compositions reproduced, distributed and displayed without permission on the lyricsmania.com website.

In accordance with the provisions of the Digital Millennium Copyright Act ("DMCA"), Title 17 U.S.C. ? 512(d), through this notice, we demand that Google, Inc. immediately remove or disable access to www.lyricsmania.com.
Should you wish to discuss this further, please contact me at [private]. Sincerely,
[private]
cc: [private]
[private]@yahoo.com
(via email)
[private]@google.com

[private]

LLP

SCHEDULE A

Writer/Composer Composition / Artist Copyright Controlled By:
Guy Berryman,Jonathon Buckland,William Champion,Christopher Martin "Clocks" / Coldplay BMG Songs, Inc.

Andreas Michael Carlsson, Martin Karl Sandberg "I Want It That Way" /Backstreet Boys Zomba Enterprises Inc.

Tony Kanal, GwenStefani "Many Me" / NoDoubt Universal MCA Music Publishing c/o Universal Music PublishingGroup, World of the Dolphin Musicc/o Universal MCA Music Publishing c/oUniversal Music Publishing Group

Andreas MichaelCarlsson, Kristian CarlMarcus Lundin, Martin Karl Sandberg "That's The Way It Is"/ Celine Dion Zomba Enterprises Inc.

Kelly Gordon, Dean Thompson "That's Life" / Frank Sinatra Universal Polygram International

 
FAQ: Questions and Answers

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Question: What is copyright infringement? Are there any defenses?

Answer: Infringement occurs whenever someone who is not the copyright holder (or a licensee of the copyright holder) exercises one of the exclusive rights listed above.

The most common defense to an infringement claim is "fair use," a doctrine that allows people to use copyrighted material without permission in certain situations, such as quotations in a book review. To evaluate fair use of copyrighted material, the courts consider four factors:


  1. the purpose and character of the use
  2. the nature of the copyrighted work
  3. the amount and substantiality of copying, and
  4. the market effect.

(17 U.S.C. 107)

The most significant factor in this analysis is the fourth, effect on the market. If a copier's use supplants demand for the original work, then it will be very difficult for him or her to claim fair use. On the other hand, if the use does not compete with the original, for example because it is a parody, criticism, or news report, it is more likely to be permitted as "fair use."

Trademarks are generally subject to fair use in two situations: First, advertisers and other speakers are allowed to use a competitor's trademark when referring to that competitor's product ("nominative use"). Second, the law protects "fair comment," for instance, in parody.


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Question: Why does a search engine get DMCA takedown notices for materials in its search listings?

Answer: Many copyright claimants are making complaints under the Digital Millennium Copyright Act, Section 512(d), a safe-harbor for providers of "information location tools." These safe harbors give providers immunity from liability for users' possible copyright infringement -- if they "expeditiously" remove material when they get complaints. Whether or not the provider would have been liable for infringement by users' materials it links to, the provider can avoid the possibility of a lawsuit for money damages by following the DMCA's takedown procedure when it gets a complaint. The person whose information was removed can file a counter-notification if he or she believes the complaint was erroneous.

Question: What does a service provider have to do in order to qualify for safe harbor protection?

Answer: In addition to informing its customers of its policies (discussed above), a service provider must follow the proper notice and takedown procedures (discussed above) and also meet several other requirements in order to qualify for exemption under the safe harbor provisions.

In order to facilitate the notification process in cases of infringement, ISPs which allow users to store information on their networks, such as a web hosting service, must designate an agent that will receive the notices from copyright owners that its network contains material which infringes their intellectual property rights. The service provider must then notify the Copyright Office of the agent's name and address and make that information publicly available on its web site. [512(c)(2)]

Finally, the service provider must not have knowledge that the material or activity is infringing or of the fact that the infringing material exists on its network. [512(c)(1)(A)], [512(d)(1)(A)]. If it does discover such material before being contacted by the copyright owners, it is instructed to remove, or disable access to, the material itself. [512(c)(1)(A)(iii)], [512(d)(1)(C)]. The service provider must not gain any financial benefit that is attributable to the infringing material. [512(c)(1)(B)], [512(d)(2)].


Question: What are the provisions of 17 U.S.C. Section 512(c)(3) & 512(d)(3)?

Answer: Section 512(c)(3) sets out the elements for notification under the DMCA. Subsection A (17 U.S.C. 512(c)(3)(A)) states that to be effective a notification must include: 1) a physical/electronic signature of a person authorized to act on behalf of the owner of the infringed right; 2) identification of the copyrighted works claimed to have been infringed; 3) identification of the material that is claimed to be infringing or to be the subject of infringing activity and that is to be removed; 4) information reasonably sufficient to permit the service provider to contact the complaining party (e.g., the address, telephone number, or email address); 5) a statement that the complaining party has a good faith belief that use of the material is not authorized by the copyright owner; and 6) a statement that information in the complaint is accurate and that the complaining party is authorized to act on behalf of the copyright owner. Subsection B (17 U.S.C. 512(c)(3)(B)) states that if the complaining party does not substantially comply with these requirements the notice will not serve as actual notice for the purpose of Section 512.

Section 512(d)(3), which applies to "information location tools" such as search engines and directories, incorporates the above requirements; however, instead of the identification of the allegedly infringing material, the notification must identify the reference or link to the material claimed to be infringing.


Question: Does a service provider have to follow the safe harbor procedures?

Answer: No. An ISP may choose not to follow the DMCA takedown process, and do without the safe harbor. If it would not be liable under pre-DMCA copyright law (for example, because it is not contributorily or vicariously liable, or because there is no underlying copyright infringement), it can still raise those same defenses if it is sued.


Question: How do I file a DMCA counter-notice?

Answer: If you believe your material was removed because of mistake or misidentification, you can file a "counter notification" asking the service provider to put it back up. Chilling Effects offers a form to build your own counter-notice.


For more information on the DMCA Safe Harbors, see the FAQs on DMCA Safe Harbor. For more information on Copyright and defenses to copyright infringement, see Copyright.


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Question: What rights are protected by copyright law?

Answer: The purpose of copyright law is to encourage creative work by granting a temporary monopoly in an author's original creations. This monopoly takes the form of six rights in areas where the author retains exclusive control. These rights are:

(1) the right of reproduction (i.e., copying),
(2) the right to create derivative works,
(3) the right to distribution,
(4) the right to performance,
(5) the right to display, and
(6) the digital transmission performance right.

The law of copyright protects the first two rights in both private and public contexts, whereas an author can only restrict the last four rights in the public sphere. Claims of infringement must show that the defendant exercised one of these rights. For example, if I create unauthorized videotape copies of Star Trek II: The Wrath of Khan and distribute them to strangers on the street, then I have infringed both the copyright holder's rights of reproduction and distribution. If I merely re-enact The Wrath of Khan for my family in my home, then I have not infringed on the copyright. Names, ideas and facts are not protected by copyright.

Trademark law, in contrast, is designed to protect consumers from confusion as to the source of goods (as well as to protect the trademark owner's market). To this end, the law gives the owner of a registered trademark the right to use the mark in commerce without confusion. If someone introduces a trademark into the market that is likely to cause confusion, then the newer mark infringes on the older one. The laws of trademark infringement and dilution protect against this likelihood of confusion. Trademark protects names, images and short phrases.

Infringement protects against confusion about the origin of goods. The plaintiff in an infringement suit must show that defendant's use of the mark is likely to cause such a confusion. For instance, if I were an unscrupulous manufacturer, I might attempt to capitalize on the fame of Star Trek by creating a line of 'Spock Activewear.' If consumers could reasonably believe that my activewear was produced or endorsed by the owners of the Spock trademark, then I would be liable for infringement.

The law of trademark dilution protects against confusion concerning the character of a registered trademark. Suppose I created a semi-automatic assault rifle and marketed it as 'The Lt. Uhura 5000.' Even if consumers could not reasonably believe that the Star Trek trademark holders produced this firearm, the trademark holders could claim that my use of their mark harmed the family-oriented character of their mark. I would be liable for dilution.


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