Merry Prankster Follows Up Google and Yahoo Complaints (#4)
|
December 29, 2003 | |
Sender Information:
[Private]
Sent by: [Private]
[Private]
Eugene, OR, 97405, US
|
Recipient Information:
[Private]
Google, Inc.
Mountain View, CA, 94043, USA
Sent via: Fax
Re: [#5261000] Google DMCA Complaint
From: [Private] [Private] Eugene, OR, 97405, US Phone: [Private] Email: [Private]To: Google, Inc. Attn: User Support, DMCA complaints [Private] Mountain View, CA, 94043, US Fax: [Private] Attn: User Support, DMCA complaints Email. dmca-images@google.com December 30, 2003 This will be emailed and faxed and is additional information to assist you with the December 29, 2003 email and fax. The webmaster, [Private], [Private], has been contacted to remove my images from his website by myself, the online service provider legal department, NTT/Verio and Yahoo! He has replied back to me that this has been done. A few of my photographic images are still up on his website. Many gifs of my photographic images have been created by cosmiebaseball.com and remain on the internet in Google or Yahoo! image search. I would like to have these images removed from Google and Yahoo! database and their image search postings, www.cosmicbaseball.com, etc. locations on the internet. I believe this is an appropriate circumstance to disable and terminate the account of users who are infringing on my copyright and intellectual property rights. I know that my work has been copied in a way that constitutes copyright infringement and my intellectual property rights have been otherwise violated. I have included the following information as required in items 1 - 8. Here is a description of the copyrighted work and other intellectual property that has been infringed along with a description of where the material that is infringing is located on the website. www.cosmicbaseball.com/97season.html go to Middle League, Busriders Photograph in the book "The Further Inquiry", Copyright [private] 1990, Furthur bus on cover, on 2 pages before numbered page 1, page 28 and 29. Remove 1 image here www.cosmicbaseball.com/pblogos7.gif www.cosmicbaseball.com/97pbr.html Photograph in the book "The Further Inquiry", Copyright [private] 1990, on cover, on 2 pages before numbered page 1, page 28 and 29, 2 Remove 1 image here Upper center, Furthur bus www.cosmicbaseball.com/pblogosm.gif http://www.cosmicbaseball.com/03pbr.html Photograph in the book "The Further Inquiry", Copyright [private], 1990, on cover, on 2 pages before numbered page 1, page 28 and 29. Remove 2 repeat images here Upper right, Furthur bus Lower center at Search for Additional Info, Furthur bus www.cosmicbaseball.com /pblogo.gif Click Adams, Carolyn www.cosmicbaseball.com/cadams8.html Photograph in the book "On The Bus", Photos Copyright 1990 by [private], Pg 127, Remove 2 repeat images here Upper left, Mountain Girl as blonde Left of Official Cosmic Record, Mountain Girl as blonde www.cosmicbaseball.com/cadams8.gif The following are gifs of my photographic images created by cosmicbaseball.com which need to be removed from the Google & Yahoo! database and their image search postings. www.cosmicbaseball.com, etc. locations on the internet. www.cosmicbaseball.com/00pbanim.gif Rolling photographic images from the book "On The Bus", Photos Copyright 1990 by [private], seven are mine: Please remove seven of these rolling images. Paula Sundstern, Gretch in water, Frame 1, Pg 68 Page Browning playing piccolo, Frame 2, Pg 122 Cathy Adams, Mountain Girl as blonde, Frame 3, Pg 127 Kathy Casano, Stark Naked face, Frame 4, Pg 70 (Faye Kesey face, photo taken by Ted Streshinsky, not mine), Pg 117 John Babbs in t-sbirt, Frame 6, Pg 59 Dale Kesey throwing wood in La Honda, Frame 7, Pg 39 Steven Lambrecht, "Zonker" playing mandolin, Frame 8, Pg 82 (Photographer [private] in bus and photo taken by Allen Ginsberg, not mine), Pg 95 Photographs from "On the Bus": www.cosmicbaseball.com/acid_a.gif, ACID, bus painting detail, Pg 124,118 www.cosmicbaseball.com/acid1sm.gif, ACID, bus painting detail, Pg 118,124 www.cosmicbaseball.com/atbord.gif, ACID/TEST, bus painting detail, Pg 118,124 & 126 www.cosmicbaseball.com/test1sm.gif, TEST, bus painting detail, Pg 126 www.cosmicbaseball.com/babbs.gif, Ken Babbs in sunglasses and striped shirt Pg 14 3 www.cosmicbaseball.com/brand.gif, Stewart Brand in top hat, Pg 154 www.cosmicbaseball.com/brand8.gif, Stewart Brand in top hat, Pg 154 www.cosmicbaseball.com/brownin8.gif, Page Browning playing piccolo, Pg 122 www.cosmicbaseball.com/burton8.gif, Jane Burton laying down, Pg 27 www.cosmicbaseball.com/casano.gif Kathy Casano, Stark Naked face, Pg 70 mw www.cosmicbaseball.com/casano8.gif, Kathy Casano, Stark Naked face, Pg 70 w- www.cosmicbaseball.com/denisek8.gif , Denise Kaufman in Ace of Cups Band, Pg 125 www.cosmicbaseball.com/hagen8.gif, Mike Hagen on Milbrook porch, pg 100 www.cosmicbaseball.com/jbabbs8.gif, John Babbs in t-shirt, Pg 59 www.cosmicbaseball.com/kbabbs8.gif, Ken Babbs in sunglasses and striped shirt, Pg 14 www.cosmicbaseball.com/keseyc8.gif, Charles Kesey in front at La Honda, Pg 39 www.cosmicbaseball.com/keseyd.gif, Dale Kesey, throwing wood in La Honda, Pg 39 www.cosmicbaseball.com/keseyd8.gif, Dale Kesey throwing wood in La Honda, Pg 39 www.cosmicbaseball.com/lambrec8.gif, Steve Lambrecht playing mandolin, Pg 82 www.cosmicbaseball.com/lambrech.gif, Steve Lambrecht playing mandolin, Pg 82 www.cosmicbaseball.com/mcclana8.gif, Ed McClanahan in black rims, pg 20 www.cosmicbaseball.com/norman8.gif, Norman Hartweg, Gurney Norman w/glasses, Pg 18 www.cosmicbaseball.com/quarnst8.gif, Lee Quarnstrom with chain necklace, Pg 138 www.cosmicbaseball.com/sebern8.gif, Roy Seburn playing flute, Pg 58 www.cosmicbaseball.com/stone.gif, Robert Stone at Stanford, Pg19 www.cosmicbaseball.com/stone8.gif, Robert Stone at Stanford, Pg19 www.cosmicbaseball.com/sundste8.gif, Paula Sundstem, Gretch in water, Pg 68 www.cosmicbaseball.com/sundsten.gif Paula Sundstem, Gretch in water, Pg 68 www.cosmicbaseball.com/walker8.gif, George Walker with moving camera, Pg 56 http://www.cosmicbaseball.com/furthura.gif Color photograph in the book "The Further Inquiry", Copyright [private] 1990, Furthur bus on cover, on 2 pages before numbered page 1, page 28 and 29, images.jpg: same image but smaller http://www.cosmicbaseball.com/furthurd.gif In black & white with Furthur and Circle imposed on photograph from the book "The further Inquiry", Copyright [private] 1990, Furthur bus on cover, on 2 pages before numbered page 1, page 28 and 29. Looking under Google Images Search: cosmicbaseball.com click more results under l5welcome.gif pg 3 /02pbr.html casano.gif babbs.gif sundsten.gif 4 keseyd.gif lambrech.gif stone.gif pg 6 /02subright.html pblogo.gif pg 18 /00pbr.httnl brand.gif Pg 19 /99pbr.html atbord.gif pg 28 /97season.html pblogos7.gif cosmicbaseball.com click repeat search of omitted pg 3 /02pbr.html casano.gif babbs.gif sundsten.gif keseyd.gif lambrech.gif stone.gif pg 6 /02subright.html pblogo.gif pg 18 /00pbr.html brand.gif Pg 19 /99pbr.html atbord.gif pg 29 /97season.html pblogos7.gif cosmicbaseball click more results under 15welcome.gif pg 3 /02pbr.html casano.gif babbs.gif sundsten.gif keseyd.gif lambrech,gif stone.gif pg 6 /02subright.html pblogo,.gif pg 18 /00pbr.html brand.gif 5 pg 28 /97season.html pblogos7.gif cosmic baseball click repeat search of omitted pg 5 /02subright.html pblogo.gif pg 22 /97season.html pblogos7.gif pg 50 /00pbr.html test1sm.gif cosmic baseball click more results under 15jcbaa.gif pg 5 /02subright.html pblogo.gif Pg 19 /97season.html pblogos7.gif pg 44 /00pbr.html test1sm.gif acid1sm.gif acid_a.gif Kesey: page 5, Please note there is no actual space in front of 02 or sundsten, etc as indicated on the image search page. www.cosmicbaseball.com/sundsten.gif, (Paula Sundsten) www.cosmicbaseball.com/kgseyd.gif, (Dale Kesey) www.cosmicbaseball.com/02pbr.html (Click More Results) www.cosmicbaseball.com/sundsten.gif, (Paula Sundsten) www.cosmicbaseball.com/keseyd.gif, (Dale Kesey) www.cosmicbaseball.com/stone.gif (Robert Stone) www.cosmicbaseball.com/02pbr.html www.cosmicbaseball.com/keseyd8.gif, (Dale Kesey) www.cosmicbaseball.com/keseyc.gif, (Chuck Kesey) www.cosmicbaseball.com/98pbr.html www.cosmicbaseball.com/brownin8.gif, (Page Browning) www.cosmicbaseball.com/02pbr.html www.cosmicbaseball.com/mcclana8.gif (Ed McClanahan) www.cosmicbaseball.com/norman8.gif, (Gurney Norman) www.cosmicbaseball.com/hagen8.gif, (Mike Hagen) www.cosmicbaseball.com/walker8.gif, (George Walker) www.cosmicbaseball.com/98pbr.html www.cosmicbaseball.com/atbord.gif (ACID& TEST photos) www.cosmicbaseball.com/99pbr.html Ken Kesey: page 13 6 www.cosmicbaseball.com/keseyd8.gif, (Dale Kesey) www.cosmicbaseball.com/keseyc8.gif, (Chuck Kesey) www.cosmicbaseball.com/98pbr.html (Click More Results) www.cosmicbaseball.com/keseyd8.gif (Dale Kesey) www.cosmicbaseball.com/keseyc8.gif, (Chuck Kesey) www.cosmicbaseball.com/98pbr.html www.cosmicbaseball.com/atbogd.gif, (ACID & TEST photos) www.cosmicbaseball.com/99pbr.html Ron Bevirt: www.cosmicbaseball.com/lambrech.gif, (Steve Lambrecht) www.cosmicbaseball.com/bevirt.gif , (Not my photo but Click More Results) www.cosmicbaseball.com/02pbr.html www.cosmicbaseball.com/lambrech.gif (Steve Lambrecht) www.cosmicbaseball.com/02pbr.html Bevirt: www.cosmicbaseball.com/lambrech.gif, (Steve Lambrecht) www.cosmicbaseball.com/bevirt.gif, (Not my photo but Click More Results) www.cosmicbaseball.com/02pbr.html www.cosmicbaseball.com/lambrech. gif, (Steve Lambrecht) www.cosmicbaseball.com/02pbr.html Ken Babbs: page 1 www.cosmicbaseball.com/jbabbsS.gif, (John Babbs) www.cosmicbaseball.com/kbabbs8.gif, (Ken Babbs) www.cosmicbaseball.com/98pbr.html Babbs: page 1, www.cosmicbaseball.com/babbs.gif, (Ken Babbs) www.cosmicbaseball.com/02pbr.html page 7, www.cosmicbaseball.com/jbabbs8.gif (John Babbs) www.cosmicbaseball.com/98pbr.html Click More Result www.cosmicbaseball.com/babbs.gif, (Ken Babbs) www.cosmicbaseball.com/02pbr.html www.cosmicbaseball.com/jbabbs8b.gif (John Babbs) www.cosmicbaseball.com/kbabbs8.gif, (Ken Babbs) www.cosmicbaseball.com/98pbr.html John Babbs: www.cosmicbaseball.com/jbabbs.gif, (John Babbs) www.cosmicbaseball.com/8.phr.ht98pbr.html Fay Kesey: www.cosmicbaseball.com/sundsten.gif, (Paula Sundsten) www.cosmicbaseball.com/stone.gif (Robert Stone) www.cosmicbaseball.com/02pbr.html Looking under Yahoo Images Search: Kesey: page 5 www.cosmicbaseball.com/sundsten.gif, (Paula Sundsten) www.cosmicbaseball.com/keseyd.gif, (Dale Kesey) www.cosmicbaseball.com/02pbr.html 7 Ken Kesey: page 13 www.cosmicbaseball.com/kesey8.gif (Date Kesey) www.cosmicbaseball.com/keseyc8.gif, (Chuck Kesey) www.cosmicbaseball.com/98pbr.html Ron Bevirt: www.cosmicbaseball.com/ambrech.gif, (Steve Lambrecht) www.cosmicbaseball.com/02pbr.html Bevirt: www.cosmicbaseball.com/lambrech.gif, (Steve Lambrecht) www.cosmicbaseball.com/02pbr.html Ken Babbs: page I www.cosmicbaseball.com/jbabbs8.gif, (John Babbs) www.cosmicbaseball.com/kbabbs8.gif, (Ken Babbs) www.cosmicbaseball.com/98pbr.html Babbs: page 1, www.cosmicbaseball.com/babbs.gif , (Ken Babbs) www.cosmicbaseball.com/02pbr.html page 7, www.cosmicbaseball.com/jbabbs.gif, (John Babbs) www.cosmicbaseball.com/98pbr.html John Babbs: www.cosmicbaseball.com/jbabbs8.gif, (John Babbs) www.cosmicbaseball.com/98pbr.html Fay Kesey: www.cosmicbaseball.com/sundsten.gif, (Paula Sundsten) www.cosmicbaseball.com/stone.gif (Robert Stone) www.cosmicbaseball.com/02pbr.html I have a good faith belief that use of the copyrighted materials described above on the allegedly infringing web pages is not authorized by the copyright and intellectual property owner, its agent, or the law." "I swear, under penalty of perjury consistent with United States Code Title 17, Section 512, that the information in the notification is accurate and that I am the copyright and intellectual property owner or am authorized to act on behalf of the owner of an exclusive right that is allegedly infringed." Sincerely, [Private], "[Private]"
|
| FAQ: Questions and Answers | |
[back to notice text] Question: What is the Digital Millennium Copyright Act?
Answer: The DMCA, as it is known, has a number of different parts. One part is the anticircumvention provisions, which make it illegal to "circumvent" a technological measure protecting access to or copying of a copyrighted work (see Anticircumvention (DMCA)). Another part gives web hosts and Internet service providers a "safe harbor" from copyright infringement claims if they implement certain notice and takedown procedures (see DMCA Safe Harbor).
[back to notice text] Question: What are the notice and takedown procedures for web sites?
Answer: In order to have an allegedly infringing web site removed from a service provider's network, or to have access to an allegedly infringing website disabled, the copyright owner must provide notice to the service provider with the following information:
- The name, address, and electronic signature of the complaining party [512(c)(3)(A)(i)]
- The infringing materials and their Internet location [512(c)(3)(A)(ii-iii)], or if the service provider is an "information location tool" such as a search engine, the reference or link to the infringing materials [512(d)(3)].
- Sufficient information to identify the copyrighted works [512(c)(3)(A)(iv)].
- A statement by the owner that it has a good faith belief that there is no legal basis for the use of the materials complained of [512(c)(3)(A)(v)].
- A statement of the accuracy of the notice and, under penalty of perjury, that the complaining party is authorized to act on the behalf of the owner [512(c)(3)(A)(vi)].
Once notice is given to the service provider, or in circumstances where the service provider discovers the infringing material itself, it is required to expeditiously remove, or disable access to, the material. The safe harbor provisions do not require the service provider to notify the individual responsible for the allegedly infringing material before it has been removed, but they do require notification after the material is removed.
[back to notice text] Question: What kinds of things are copyrightable?
Answer: In order for material to be copyrightable, it must be original and must be in a fixed medium. Only material that originated with the author can support a copyright. Items from the public domain which appear in a work, as well as work borrowed from others, cannot be the subject of an infringement claim. Also, certain stock material might not be copyrightable, such as footage that indicates a location like the standard shots of San Francisco in Star Trek IV: The Voyage Home. Also exempted are stock characters like the noisy punk rocker who gets the Vulcan death grip in Star Trek IV. The requirement that works be in a fixed medium leaves out certain forms of expression, most notably choreography and oral performances such as speeches. For instance, if I perform a Klingon death wail in a local park, my performance is not copyrightable. However, if I film the performance, then the film is copyrightable. Single words and short phrases are generally not protected by copyright, even when the name has been "coined" or newly-created by the mark owner. Logos that include original design elements can be protected under copyright or under trademark. Otherwise, words, phrases and titles may be protected only by trademark, however.
[back to notice text] Question: What happens if an individual is found to repeatedly infringe?
Answer: The safe harbor provisions require the service provider to include in its copyright infringement policies a termination policy that results in individuals who repeatedly infringe copyrighted material being removed from the service provider networks. [512(i)(1)(A)] This termination policy must be made public in the terms of use that the service provider includes in its contracts or on its web site.
[back to notice text] Question: Can an operator of a visual search engine use the copyrighted images of another owner as "thumbnails" in its search engine?
Answer: Yes, the creation and use of "thumbnails" -- smaller, lower resolution depictions of the original image -- as part of such a search engine may be a fair use. The Ninth Circuit Court of Appeals recently held in Kelly v. Arriba Soft that displaying the copyrighed images of another as thumbnails on a search engine was a fair use because the thumbnails served a completely different purpose than the original images. Working through the four factor fair use analysis, the court emphasized that it was essential to determine if defendant's use was transformative in nature. It is more likely that a court will find fair use if the defendant's use of the image advances a purpose different than the copyright holder's, rather than merely superseding the object of the originals. For example, the Ninth Circuit found there to be a fair use since the displayed images were not for illustrative artistic purposes, but were rather used as part of an image search engine as a means to access other images and web sites. Even if defendant's website is operated for a commercial purpose, it may still be a fair use if the use of the image was "more incidental and less exploitative." The court in Kelly found that defendant's search engine did not directly profit from the use of plaintiff's images, and therefore that their use was not highly exploitative. In Kelly, the court also found that the use of the images would not hurt the plaintiff's market for the images. Kelly v. Arriba Soft Corporation.
[back to notice text] Question: What does a service provider have to do in order to qualify for safe harbor protection?
Answer: In addition to informing its customers of its policies (discussed above), a service provider must follow the proper notice and takedown procedures (discussed above) and also meet several other requirements in order to qualify for exemption under the safe harbor provisions. In order to facilitate the notification process in cases of infringement, ISPs which allow users to store information on their networks, such as a web hosting service, must designate an agent that will receive the notices from copyright owners that its network contains material which infringes their intellectual property rights. The service provider must then notify the Copyright Office of the agent's name and address and make that information publicly available on its web site. [512(c)(2)] Finally, the service provider must not have knowledge that the material or activity is infringing or of the fact that the infringing material exists on its network. [512(c)(1)(A)], [512(d)(1)(A)]. If it does discover such material before being contacted by the copyright owners, it is instructed to remove, or disable access to, the material itself. [512(c)(1)(A)(iii)], [512(d)(1)(C)]. The service provider must not gain any financial benefit that is attributable to the infringing material. [512(c)(1)(B)], [512(d)(2)].
[back to notice text] Question: Can a copyright owner find out the identity of the individual responsible for the allegedly infringing material?
Answer: The safe harbor provisions permit a copyright owner to subpoena the identity of the individual allegedly responsible for the infringing activities. [512(h)] Such a subpoena is granted on the condition that the information about the individual's identity will only be used in relation to the protection of the intellectual property rights of the copyright owner. [512(h)(2)(C)] The DMCA subpoena provision does not apply to requests for the identities of users of ISP conduit 512(a) services, but only to users of hosting or linking, for which a takedown may be sent under 512(c)(3)(A). Thus DMCA subpoenas cannot be used to find the identities of users engaged in peer-to-peer filesharing. Recording Industry Assoc. of America v. Verizon Internet Svcs., Inc.
[back to notice text] Question: What rights are protected by copyright law?
Answer: The purpose of copyright law is to encourage creative work by granting a temporary monopoly in an author's original creations. This monopoly takes the form of six rights in areas where the author retains exclusive control. These rights are: (1) the right of reproduction (i.e., copying), (2) the right to create derivative works, (3) the right to distribution, (4) the right to performance, (5) the right to display, and (6) the digital transmission performance right. The law of copyright protects the first two rights in both private and public contexts, whereas an author can only restrict the last four rights in the public sphere. Claims of infringement must show that the defendant exercised one of these rights. For example, if I create unauthorized videotape copies of Star Trek II: The Wrath of Khan and distribute them to strangers on the street, then I have infringed both the copyright holder's rights of reproduction and distribution. If I merely re-enact The Wrath of Khan for my family in my home, then I have not infringed on the copyright. Names, ideas and facts are not protected by copyright. Trademark law, in contrast, is designed to protect consumers from confusion as to the source of goods (as well as to protect the trademark owner's market). To this end, the law gives the owner of a registered trademark the right to use the mark in commerce without confusion. If someone introduces a trademark into the market that is likely to cause confusion, then the newer mark infringes on the older one. The laws of trademark infringement and dilution protect against this likelihood of confusion. Trademark protects names, images and short phrases. Infringement protects against confusion about the origin of goods. The plaintiff in an infringement suit must show that defendant's use of the mark is likely to cause such a confusion. For instance, if I were an unscrupulous manufacturer, I might attempt to capitalize on the fame of Star Trek by creating a line of 'Spock Activewear.' If consumers could reasonably believe that my activewear was produced or endorsed by the owners of the Spock trademark, then I would be liable for infringement. The law of trademark dilution protects against confusion concerning the character of a registered trademark. Suppose I created a semi-automatic assault rifle and marketed it as 'The Lt. Uhura 5000.' Even if consumers could not reasonably believe that the Star Trek trademark holders produced this firearm, the trademark holders could claim that my use of their mark harmed the family-oriented character of their mark. I would be liable for dilution.
[back to notice text] Question: What is copyright infringement? Are there any defenses?
Answer: Infringement occurs whenever someone who is not the copyright holder (or a licensee of the copyright holder) exercises one of the exclusive rights listed above. The most common defense to an infringement claim is "fair use," a doctrine that allows people to use copyrighted material without permission in certain situations, such as quotations in a book review. To evaluate fair use of copyrighted material, the courts consider four factors: - the purpose and character of the use
- the nature of the copyrighted work
- the amount and substantiality of copying, and
- the market effect.
(17 U.S.C. 107) The most significant factor in this analysis is the fourth, effect on the market. If a copier's use supplants demand for the original work, then it will be very difficult for him or her to claim fair use. On the other hand, if the use does not compete with the original, for example because it is a parody, criticism, or news report, it is more likely to be permitted as "fair use." Trademarks are generally subject to fair use in two situations: First, advertisers and other speakers are allowed to use a competitor's trademark when referring to that competitor's product ("nominative use"). Second, the law protects "fair comment," for instance, in parody.
[back to notice text] Question: Does a copyright owner have to specify the exact materials it alleges are infringing?
Answer: Proper notice under the safe harbor provisions requires the copyright owners to specifically identify the alleged infringing materials, or if the service provider is an "information location tool" such as a search engine, to specifically identify the links to the alleged infringing materials. [512(c)(3)(iii)], [512(d)(3)]. The provisions also require the copyright owners to identify the copyrighted work, or a representative list of the copyrighted works, that is claimed to be infringed. [512(c)(3)(A)(ii)]. Rather than simply sending a letter to the service provider that claims that infringing material exists on their system, these qualifications ensure that service providers are given a reasonable amount of information to locate the infringing materials and to effectively police their networks. [512(c)(3)(A)(iii)], [512(d)(3)]. However, in the recent case of ALS Scan, Inc. v. Remarq Communities, Inc., the court found that the copyright owner did not have to point out all of the infringing material, but only substantially all of the material. The relaxation of this specificity requirement shifts the burden of identifying the material to the service provider, raising the question of the extent to which a service provider must search through its system. OSP customers should note that this situation might encourage OSP's to err on the side of removing allegedly infringing material.
[back to notice text] Question: What does "under penalty of perjury" mean?
Answer: Law.com offers a good definition of perjury: "Perjury is the the crime of intentionally lying after being duly sworn (to tell the truth) by a notary public, court clerk or other official. This false statement may be made in testimony in court, administrative hearings, depositions, answers to interrogatories, as well as by signing or acknowledging a written legal document (such as affidavit, declaration under penalty of perjury, deed, license application, tax return) known to contain false information. Although it is a crime, prosecutions for perjury are rare, because a defendant will argue he/she merely made a mistake or misunderstood."
[back to notice text] Question: Where can I find the text of the U.S. Copyright Act?
Answer: The federal Copyright Act may be found at http://www.loc.gov/copyright/title17/.
[back to notice text] Question: What are the counter-notice and put-back procedures?
Answer: In order to ensure that copyright owners do not wrongly insist on the removal of materials that actually do not infringe their copyrights, the safe harbor provisions require service providers to notify the subscribers if their materials have been removed and to provide them with an opportunity to send a written notice to the service provider stating that the material has been wrongly removed. [512(g)] If a subscriber provides a proper "counter-notice" claiming that the material does not infringe copyrights, the service provider must then promptly notify the claiming party of the individual's objection. [512(g)(2)] If the copyright owner does not bring a lawsuit in district court within 14 days, the service provider is then required to restore the material to its location on its network. [512(g)(2)(C)] A proper counter-notice must contain the following information:
- The subscriber's name, address, phone number and physical or electronic signature [512(g)(3)(A)]
- Identification of the material and its location before removal [512(g)(3)(B)]
- A statement under penalty of perjury that the material was removed by mistake or misidentification [512(g)(3)(C)]
- Subscriber consent to local federal court jurisdiction, or if overseas, to an appropriate judicial body. [512(g)(3)(D)]
If it is determined that the copyright holder misrepresented its claim regarding the infringing material, the copyright holder then becomes liable to the person harmed for any damages that resulted from the improper removal of the material. [512(f)] See also How do I file a DMCA counter-notice?, and the counter-notification generator.
|
|
FAQ: Questions |
|
|
Related Links |
|
More Like This Notice |
|
|
|
Related News |
|
|
|
Related Resources |
|
|
|
Other Topics |
|
|
|
|
|
|
|