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 Chilling Effects Clearinghouse > DMCA Safe Harbor > Notices > Scientologist's Counsel Dianetrically Opposed to Posting Copyrighted Work on Internet (NoticeID 1680, http://chillingeffects.org/N/1680) Printer-friendly version

Scientologist's Counsel Dianetrically Opposed to Posting Copyrighted Work on Internet

February 17, 2005

 

Sender Information:
Religious Technology Center
Sent by: [Private]
Moxon & Kobrin
[Private]
[Private]
Los Angeles, CA, 90010, US

Recipient Information:
[Private]
Google, Inc.
Mountain View, CA, USA


Sent via: email
Re:

Feb. 17, 2005

Dear Google Team:

In this matter our office represents Religious Technology Center ("RTC"), the owner of the confidential Advanced Technology of the Scientology religion and the holder of exclusive rights under the copyrights applicable to the Advanced Technology materials. The Advanced Technology materials are confidential, unpublished, copyrighted works. RTC's works include, among others, the individual works comprising levels known as "R6EW Series," "Power Series," "OT II," "OT III," and "NOTs." These works are registered with the United States Copyright Office under registration numbers: TXu 303 386; Txu 257 326; Txu 303 381; 303 388 and TXu 257-326 and TXu 257-527.

We also represent Bridge Publications, Inc. ("BPI") the exclusive licensee of the copyrights to the published works of the Scientology religion

Please be advised that RTC's and BPI's copyrighted works were posted on the
Internet without the authorization of our clients and are now accessible from Google's cache, in violation of United States copyright law. We request that these works be deleted from Google's cache. They can be located by the URLs which are attached below.

I have a good faith belief, and in fact know for certain, that the posting of these works was not authorized by my clients, any agent of my clients, or the law.

I declare under penalty of perjury that this information is accurate and I am authorized to act on behalf of RTC and BPI in this matter.

Sincerely,
[Private]
Moxon & Kobrin
[Private]
[Private]
Los Angeles, California 90010
Tel: [Private]
Fax: [Private]
***

http://66.102.7.104/search?q=cache:9wcvig06XGAJ:rdfweb.org/people/damian/local/nots/ned4.h
tml++site:rdfweb.org++%22NED+for+OTs%22&hl=en

http://66.102.7.104/search?q=cache:w_eet4ihWTkJ:rdfweb.org/people/damian/local/nots/ned1.ht
ml++site:rdfweb.org++%22NED+for+OTs%22&hl=en

http://66.102.7.104/search?q=cache:l8roFM5lMQYJ:rdfweb.org/people/damian/local/nots/ned3.
html++site:rdfweb.org++%22NED+for+OTs%22&hl=en

http://66.102.7.104/search?q=cache:cJJnxaYlkOcJ:rdfweb.org/people/damian/local/nots/ned5.ht
ml++site:rdfweb.org++%22NED+for+OTs%22&hl=en

http://66.102.7.104/search?q=cache:nUZoRzpDLeoJ:rdfweb.org/people/damian/local/nots/ned2.
html++site:rdfweb.org++%22NED+for+OTs%22&hl=en

http://66.102.7.104/search?q=cache:_q7vc4H2W48J:rdfweb.org/people/damian/local/nots/ned6.
html++site:rdfweb.org++%22NED+for+OTs%22&hl=en

http://66.102.7.104/search?q=cache:qstg-fwUKKAJ:rdfweb.org/people/damian/local/nots/ned7.h
tml++site:rdfweb.org++%22NED+for+OTs%22&hl=en

http://216.239.57.104/search?q=cache:FZXuy2wQAp4J:rdfweb.org/people/damian/local/Fishma
n%2520Affidavit/ot2.html++%22OT+II%22+site:rdfweb.org&hl=en

http://216.239.57.104/search?q=cache:fI5R1n1WocgJ:rdfweb.org/people/damian/local/HCOB/H
COPL-650702.html+scientology+site:rdfweb.org&hl=en


http://216.239.57.104/search?q=cache:fiiOWuRScaIJ:rdfweb.org/people/damian/local/HCOB/H
COB-612809.html+scientology+site:rdfweb.org&hl=en


http://216.239.57.104/search?q=cache:pGlVbsI3UvoJ:rdfweb.org/people/damian/local/HCOB/H
COB-612109.html+scientology+site:rdfweb.org&hl=en

http://216.239.57.104/search?q=cache:Q0cEwtJ_vVIJ:rdfweb.org/people/damian/local/HCOB/H
COB-652401.html+scientology+site:rdfweb.org&hl=en

http://216.239.57.104/search?q=cache:R5DGYh7kisEJ:rdfweb.org/people/damian/local/HCOB/
HCOB-651105.html+scientology+site:rdfweb.org&hl=en

http://216.239.57.104/search?q=cache:FxsabFxBDWwJ:rdfweb.org/people/damian/local/HCOB/
HCOB-631105.html+scientology+site:rdfweb.org&hl=en

http://216.239.57.104/search?q=cache:bcYEryyRArIJ:rdfweb.org/people/damian/local/HCOB/H
COB-632408.html+scientology+site:rdfweb.org&hl=en

http://216.239.57.104/search?q=cache:lQWM7KwKoTYJ:rdfweb.org/people/damian/local/HCO
B/HCOB-650401.html+scientology+site:rdfweb.org&hl=en

http://216.239.57.104/search?q=cache:e1-V84xmLroJ:rdfweb.org/people/damian/local/HCOB/H
COB-702102.html+scientology+site:rdfweb.org&hl=en

http://216.239.57.104/search?q=cache:ndD59MZKDzgJ:rdfweb.org/people/damian/local/HCOB/
HCOB-640812.html+scientology+site:rdfweb.org&hl=en

http://216.239.57.104/search?q=cache:cBJV_A3_OlwJ:rdfweb.org/people/damian/local/HCOB/
HCOB-691210.html++%22OT+III%22+site:rdfweb.org&hl=en

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FAQ: Questions and Answers

[back to notice text]


Question: What are the DMCA's anti-circumvention provisions?

Answer: The Digital Millennium Copyright Act (DMCA) is the latest amendment to copyright law, which introduced a new category of copyright violations that prohibit the "circumvention" of technical locks and controls on the use of digital content and products. These anti-circumvention provisions put the force of law behind any technological systems used by copyright owners to control access to and copying of their digital works.

The DMCA contains four main provisions:

  1. a prohibition on circumventing access controls [1201(a)(1)(A)];
  2. an access control circumvention device ban (sometimes called the "trafficking" ban) [1201(a)(2)];
  3. a copyright protection circumvention device ban [1201(b)]; and,
  4. a prohibition on the removal of copyright management information (CMI) [1202(b)].

The first provision prohibits the act of circumventing technological protection systems, the second and third ban technological devices that facilitate the circumvention of access control or copy controls, and the fourth prohibits individuals from removing information about access and use devices and rules. The first three provisions are also distinguishable in that the first two provisions focus on technological protection systems that provide access control to the copyright owner, while the third provision prohibits circumvention of technological protections against unauthorized duplication and other potentially copyright infringing activities.


[back to notice text]


Question: What kinds of things are copyrightable?

Answer: In order for material to be copyrightable, it must be original and must be in a fixed medium.

Only material that originated with the author can support a copyright. Items from the public domain which appear in a work, as well as work borrowed from others, cannot be the subject of an infringement claim. Also, certain stock material might not be copyrightable, such as footage that indicates a location like the standard shots of San Francisco in Star Trek IV: The Voyage Home. Also exempted are stock characters like the noisy punk rocker who gets the Vulcan death grip in Star Trek IV.

The requirement that works be in a fixed medium leaves out certain forms of expression, most notably choreography and oral performances such as speeches. For instance, if I perform a Klingon death wail in a local park, my performance is not copyrightable. However, if I film the performance, then the film is copyrightable.

Single words and short phrases are generally not protected by copyright, even when the name has been "coined" or newly-created by the mark owner. Logos that include original design elements can be protected under copyright or under trademark. Otherwise, words, phrases and titles may be protected only by trademark, however.


[back to notice text]


Question: How can I find out whether a work has a registered copyright?

Answer: Works are copyrighted as soon as they are "fixed in a tangible medium of expression," but some legal rights and remedies are available only if the work's copyright is registered. To find a copyright registration, you may search copyright records at the Copyright Office website, but be aware that not finding a match does not mean the work is uncopyrighted.


[back to notice text]


Question: What is copyright infringement? Are there any defenses?

Answer: Infringement occurs whenever someone who is not the copyright holder (or a licensee of the copyright holder) exercises one of the exclusive rights listed above.

The most common defense to an infringement claim is "fair use," a doctrine that allows people to use copyrighted material without permission in certain situations, such as quotations in a book review. To evaluate fair use of copyrighted material, the courts consider four factors:


  1. the purpose and character of the use
  2. the nature of the copyrighted work
  3. the amount and substantiality of copying, and
  4. the market effect.

(17 U.S.C. 107)

The most significant factor in this analysis is the fourth, effect on the market. If a copier's use supplants demand for the original work, then it will be very difficult for him or her to claim fair use. On the other hand, if the use does not compete with the original, for example because it is a parody, criticism, or news report, it is more likely to be permitted as "fair use."

Trademarks are generally subject to fair use in two situations: First, advertisers and other speakers are allowed to use a competitor's trademark when referring to that competitor's product ("nominative use"). Second, the law protects "fair comment," for instance, in parody.


[back to notice text]


Question: What are the notice and takedown procedures for web sites?

Answer: In order to have an allegedly infringing web site removed from a service provider's network, or to have access to an allegedly infringing website disabled, the copyright owner must provide notice to the service provider with the following information:

  • The name, address, and electronic signature of the complaining party [512(c)(3)(A)(i)]
  • The infringing materials and their Internet location [512(c)(3)(A)(ii-iii)], or if the service provider is an "information location tool" such as a search engine, the reference or link to the infringing materials [512(d)(3)].
  • Sufficient information to identify the copyrighted works [512(c)(3)(A)(iv)].
  • A statement by the owner that it has a good faith belief that there is no legal basis for the use of the materials complained of [512(c)(3)(A)(v)].
  • A statement of the accuracy of the notice and, under penalty of perjury, that the complaining party is authorized to act on the behalf of the owner [512(c)(3)(A)(vi)].

Once notice is given to the service provider, or in circumstances where the service provider discovers the infringing material itself, it is required to expeditiously remove, or disable access to, the material. The safe harbor provisions do not require the service provider to notify the individual responsible for the allegedly infringing material before it has been removed, but they do require notification after the material is removed.


[back to notice text]


Question: Does a copyright owner have to specify the exact materials it alleges are infringing?

Answer: Proper notice under the safe harbor provisions requires the copyright owners to specifically identify the alleged infringing materials, or if the service provider is an "information location tool" such as a search engine, to specifically identify the links to the alleged infringing materials. [512(c)(3)(iii)], [512(d)(3)]. The provisions also require the copyright owners to identify the copyrighted work, or a representative list of the copyrighted works, that is claimed to be infringed. [512(c)(3)(A)(ii)]. Rather than simply sending a letter to the service provider that claims that infringing material exists on their system, these qualifications ensure that service providers are given a reasonable amount of information to locate the infringing materials and to effectively police their networks. [512(c)(3)(A)(iii)], [512(d)(3)].

However, in the recent case of ALS Scan, Inc. v. Remarq Communities, Inc., the court found that the copyright owner did not have to point out all of the infringing material, but only substantially all of the material. The relaxation of this specificity requirement shifts the burden of identifying the material to the service provider, raising the question of the extent to which a service provider must search through its system. OSP customers should note that this situation might encourage OSP's to err on the side of removing allegedly infringing material.


[back to notice text]


Question: What are the counter-notice and put-back procedures?

Answer: In order to ensure that copyright owners do not wrongly insist on the removal of materials that actually do not infringe their copyrights, the safe harbor provisions require service providers to notify the subscribers if their materials have been removed and to provide them with an opportunity to send a written notice to the service provider stating that the material has been wrongly removed. [512(g)] If a subscriber provides a proper "counter-notice" claiming that the material does not infringe copyrights, the service provider must then promptly notify the claiming party of the individual's objection. [512(g)(2)] If the copyright owner does not bring a lawsuit in district court within 14 days, the service provider is then required to restore the material to its location on its network. [512(g)(2)(C)]

A proper counter-notice must contain the following information:

  • The subscriber's name, address, phone number and physical or electronic signature [512(g)(3)(A)]
  • Identification of the material and its location before removal [512(g)(3)(B)]
  • A statement under penalty of perjury that the material was removed by mistake or misidentification [512(g)(3)(C)]
  • Subscriber consent to local federal court jurisdiction, or if overseas, to an appropriate judicial body. [512(g)(3)(D)]

If it is determined that the copyright holder misrepresented its claim regarding the infringing material, the copyright holder then becomes liable to the person harmed for any damages that resulted from the improper removal of the material. [512(f)]

See also How do I file a DMCA counter-notice?, and the counter-notification generator.


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